Hughes, Langston
Hughes deeply believed that black art should represent the experiences and culture of the black “folk.” Images of rural and urban working-class African Americans filled his poetry and prose and his writing celebrated blues and jazz culture. Some of his more famous writing associated with the Harlem Renaissance include the collections of poems, The Weary Blues (1926) and Fine Clothes to the Jew (1927); the novel Not Without Laughter (1930); and the essay, “The Negro Artist and the Racial Mountain” (1926).
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